YOUTUBE BREAKFAST

Showing posts with label ItalianCinema. Show all posts
Showing posts with label ItalianCinema. Show all posts

Roberto Rossellini

Posted by ANTO LLOVERAS
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Labels: auteurFilm, CINEMA, cinematicArchitecture, culturalHeritage, filmAsSpace, ItalianCinema, narrativeArchitecture, Rossellini, spatialMemory, visualPedagogy

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Posted by ANTO LLOVERAS
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Labels: architectureAndPower, aristocraticDecay, cinematicRuins, classCritique, filmAndHistory, historicalArchitecture, ItalianCinema, spatialNarrative, ViscontiCinema, visualOpera
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Core I: Operative Protocols
Socioplastics studies architecture as epistemic infrastructure: a system for organising knowledge, structuring relations and stabilising public form.
Index · ORCID · LAPIEZA-LAB

CONCEPT

YouTube Breakfast is an open, rhizomatic classroom. Each video becomes a node in a decentralized network of knowledge, spanning art, architecture, philosophy, and science. Without themes or predefined structure, the course evolves through intuition and curiosity, using video as a tool to explore new ideas and perspectives. Learning unfolds non-linearly, disrupting traditional pedagogies by replacing scripted teaching with personal exploration. The goal is not to explain, but to connect—inviting each participant to build their own path through shared content.
  • Socioplastics Console · Field Door
Mesh Engine
Socioplastics reads the mesh as an active engine: a field where fragments, references, titles, readers, platforms and machines begin to connect, repeat and produce public form.
Substack · Index · ORCID · LAPIEZA-LAB

LLLL ART AGENCY

  • ANTO LLOVERAS ______________SOCIOPLASTICS

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The Soft Ontology Papers operate as a didactic entrance layer into Socioplastics. Shorter and more accessible than the core protocols, they translate the larger architecture into readable conceptual essays while remaining structurally linked to the DOI-anchored cores and the wider field system through the PROJECT INDEX.
SOFT ONTOLOGY PAPERS
3201   ★ Field Formation Can Be Read Through Structure
3202   ★ Two Ways a Field Begins to Appear
3203   ★ Scale Needs Structure
3204   ★ Scalar Grammar Helps Knowledge Hold Together
3205   ★ Density Creates Internal Coherence
3206   ★ Stable Points Help Open Systems Grow
3207   ★ Visibility Often Arrives Late
3208   ★ A Field Needs Soft Edges and Stable Cores
3209   ★ The Corpus Can Become a Way of Thinking
3210   ★ A Field Can Be Carefully Designed

FORM

Methodologically, the project does not focus on creating thematic playlists across multiple fields but on sharing the most intriguing aspects of art, architecture, philosophy, and science, which expand as new participants add their contributions. The course has no script or predefined structure: instead, it is built from the intuition of the sharer, who uses the voices and visions of others to narrate ideas, thus generating a transdisciplinary space that moves between the personal and the collective. The project is based on the idea of teaching as disruption.“Not teaching” as a means of teaching, where no imposed guide exists. Instead, there is a network of connections that allows knowledge to unfold rhizomatically, challenging traditional pedagogical structures. By trusting in the voice of the videos and the knowledge already available within them, "YouTube Breakfast" proposes that it is not necessary to transcribe or transform what is already there but rather to open paths for each participant to create their own journey of exploration and learning.

C O N T E N T

CULTURE ART ARCHITECTURE Socioplastics PRITZKER AntoLloveras SCULPTURE PHOTOGRAPHY PERFORMANCE PAINTING INSTALLATION LAPIEZA SCIENCE PHILOSOPHY GRAPUS Madrid REM KOOLHAAS SOCIOLOGY THOMAS HIRSCHHORN DECONSTRUCTION FEMINISM SocioplasticMesh Anto Lloveras CINEMA CONCEPTUAL DistributedAuthorship FILM GEORGE SEGAL LANDSCAPE PlasticScale TopolexicalSovereignty 2012 ABSORBING MODERNITY ABSTRACT EXPRESSIONISM ABSTRACT PAINTING ANTHROPOLOGY ARCHITECTURE CRITIC Architecture Biennale BIOLOGY BODY PERFORMANCE Biennale Architettura 2014 CINDY SHERMAN COLAB DistributedArchive ELECTRONIC EpistemicSovereignty GENDER HISTORY ItalianCinema JESSICA STOCKHOLDER LABOR LITERATURE LOUISE BOURGEOIS MARCEL DUCHAMP MARINA ABRAMOVIC MATTHEW BARNEY MEDIA MetabolicChemotaxis MetabolicSovereignty NAN GOLDIN NORMAN FOSTER PHOTOJOURNALISM POETRY POLITICAL THEORY RICHARD SERRA RYUE NISHIZAWA SANTIAGO SIERRA SemanticHardening SemanticSovereignty TALUT KAREEM TopolexicalEngine URBAN PLANNING UrbanTaxidermy VALIE EXPORT VANESSA BEECROFT VIDEO VIDEO ART cosmotechnics epistemic sovereignty epistemology ocioplastics operational closure semantic hardening spatialNarrative topolexical sovereignty 10.310 10.348 10.368 10.370 10.386 11.389 11.396 11.402 11.405 11.407 11.408 11.409 12.414 14.114 14.114 TONY CRAGG 14.116 SCULPTURE 2014 2023 425 PARK AVENUE ABSTRACT AD REINHARDT AI WEIWEI AI retrieval AIEntrapment ALEJANDRO ARAVENA ALLEN GINSBERG ANDREAS FEININGER ANDRÉ KERTÉSZ ANDRÉ MASSON ANDRÉS JAQUE ANDY WARHOL ANISH KAPOOR ANN HAMILTON ANSELM KIEFER ART CRITIC ART CULTURE ARTISTS ARTS ORGANISATIONS ASSEMBLAGE ATELIER D’ARCHITECTURE AUTOGÉRÉE ATMOSPHERES AUTOMATIC DRAWING AVANT GARDE AcademicWeight AccumulatedArt Addressability Aesthetic Care AgonisticCalibration AlgorithmicDetectability AntoLloverasArchive AntonioniCinema Architecture Biennale 2012 ArchiveAsProcess Archives ArgumentativeConsolidation ArtAndSEO ArtAsInfrastructure ArtNationCanon AtmosphericTriggers AttentionVortex AutophagicConstruction AutopoieticArt AutopoieticAttention AutopoieticClimate Autovalidation BAS JAN ADER BEAT GENERATION BEATRIZ COLOMINA BENOIT MANDELBROT BERND AND HILLA BECHER BILL GATES BILL VIOLA BRAZIL BRENDAN MCGETRICK BRUCE NAUMAN BRUNO LATOUR BUCKMINSTER FULLER BUILIDINGS Biennale Architettura 2012 CANDIDA HÖFER CAPITALISM CAPITALISTIC REALISM CARDBOARD CARDBOARD FURNITURES CAROLEE SCHNEEMANN CHANTALL MOUFFE CHEAP MATERIALS CHINA CHRISTIAN DE PORTZAMPARC CIAM CLAUDE LEVI-STRAUSS COLLABORATIVE RESEARCH COLLAGE COLOR FIELD COLOUR COMBINES COMPUTER ANIMATION COMPUTING CONTENT CONTINGENCY COUNTRIES CRAGG FOUNDATION CURATOR CYBORGS CanonAsSignal CanonInfrastructure Care Aesthetics CentenaryPack Chemotactic Governance CitationDensity CitationalCommitment Co-Producing Order * Science ConceptualAnchors ConceptualDatasetSystem ConceptualEcology ConceptualGravity ConstitutionalAesthetics ContemporaryArtTheory ContemporaryCriticism CorpusConsolidation CorpusMaintenance Crimson Architectural Historians CriticalDesign CriticalMass CuratorialArchitecture DANAH ZOHAR DANCE DARA BIRNBAUM DATABASES DAVID HARVEY DECONSTRUCTIVISM DENISE SCOTT BROWN DOIInfrastructure DOINA PETRUSCA & CONSTANTIN PETCOU DOIProtocol DOIRegime DONNA HARAWAY DRAMA DRAUGHTSMAN DRIP DUANE MICHALS DUCT TAPE Decalogue DecalogueLaw DecalogueProtocol DecolonialTheory DigitalAutopoiesis DigitalEpistemology DigitalVisibility DistributedAnatomy DistributedCognitionSystem DistributedEpistemology DistributedOntology EASY EDGES ECONOMICS ECONOMY ENVIROMENTAL INSTALLATION ENVIROMENTALLY SENSITIVE APPROACH TO DESIGN ERMANNO OLMI ETHNOLOGY EXPANDED CINEMA EXPERIMENTAL FILM EXPLOITATION EcologicalAesthetics EndogenousAttention EntityResolution Epistemic Interface EpistemicArchitecture EpistemicBiosystem EpistemicGravitation EpistemicInfrastructure EpistemicInterface EpistemicInterfaces EpistemicLevelling EpistemicNodes EpistemicPlasticity Exchange ExpansionByFixation FIGURATIVE FOIL FRACTAL GEOMETRY FRANK GEHRY FUMIHIKO MAKI FUNKTIONALISM FelliniCinema FilterEconomy FiltrationEffect FiniteGrammar Formafantasma Foucault GEOGRAPHY GERHARD RICHTER GLENN MURCUTT Giancarlo De Carlo GoogleScholarMetrics GraphRetrievalSystem GravitationalAttractor HANNAH ARENDT HANS ROSLING OLA ROSLING HELEN FRANKENTHALER HENRI CARTIER-BRESSON HIGH-TECH ARCHITECTURE Haraway Herman HERTZBERGER HermeticDidacticism HundredConceptDOIs HyperplasticLogic HyperplasticWriting I.M. PEI IDA APPLEBROOG IMAGE INDUSTRIAL ALIENATION INDUSTRIAL ARCHITECTURE INFORMATION SOCIETY INSTITUTIONAL PARTNERS INTERVIEW IndexicalSovereignty Indexing InfrastructuralCore InfrastructuralLiteracy InternalCitation ItalianModernism JACKSON POLLOCK JACQUES DERRIDA JACQUES HERZOG JACQUES LACAN JAMES WATSON JANE JACOBS JAQUE ROBERTSON JASON RHOADES JEAN LUC GODARD JEFF KOONS JENNY HOLZER JOEP VAN LIESHOUT JOHN SOANE JORGE LUIS BORGES JOSEPH BEUYS JUAN GOYTISOLO JUDITH BUTLER JUDY CHICAGO JUHANI PALLASMAA JurisprudenceMesh JÜRGEN HABERMAS KAZUJO SEJIMA KEVIN ROCHE KIKI SMITH KineticCometTail KnowledgeCartographySystem KnowledgeEngineering KnowledgeLayerSystem KnowledgeTopology LAND ART LE CORBUSIER LIFE MAGAZINE LINA BO BARDI LITTERATURE LIVE PERFORMANCE LOUISE NEVELSON LUC TUYMANS LaPiezaArtSeries LaboriaCuboniks Latent Index LexicalJurisdiction LivingArchive LivingConceptualCanon LowTechConscious M2MProtocol MAGNUM PHOTOS MAN RAY MANUEL CASTELLS MARKETING MARTIN HEIDEGGER MARY ELLEN MARK MATERIALIST CRITIQUE MATHEMATICS MEMORY MERCE CUNNINGHAM METABOLISM MICHAEL HANSMEYER MINIMALISM MIXED-MEDIA MODERNISM MOLECULAR MORPHOSIS MUSE MUSE700 MUTABLE NATURE Machine MaterialCritique Matthew Effect MayaDeren MeshAttentionEconomy MeshTheory MeshTopology Metabolic Writing MetabolicAutonomy MetabolicGovernance MetabolicIntegration MetabolicLightness MetabolicPruning MetamodernArt MetricRejection Metropolitan Nerves * Money Michelle Provoost Monditalia: Sales Oddity NEO RAUSCH NEO-CLASSICAL NEON NEW SIMBOLISM NGOS NICOLAS BOURRIAUD NO PROJECT NarrativeSovereignty NetworkPersistence OMA OMA Office for Metropolitan Architecture ONTOLOGY OPERA ORCID ORCID identity ORCIDIdentity OnePlace OntologicalChoreography OpenResearch OperativeLimits PABLO PICASSO PAUL MCCARTHY PERFORMATIVE INSTALLATION PERRY ANDERSON PETER DOIG PETER EISENMAN PETER ZUMTHOR PHILIP JOHNSON PHILIP KOTLER PHOTO ESSAY PIER PAOLO PASOLINI PIERRE BOURDIEU PIPILOTTI RIST PLACE PLANNING PLASTIC WRAP POLITICAL PHILOSOPHY POLYESTER POP ART POSTMODERNISM PRINTS PSYCHOANALYSIS PSYCHOLOGY PUBLIC SPHERE PUBLICATION ParallelAcademy ParserFirstOntology PedagogicalSovereignty PlatformGesamtkunstwerk PositionalCurrency PostCanonicalCanon PostCanonicalPraxis PostDigitalTaxidermy PostHumanUrbanism PostObjectualPractice Power ProteinIndex ProtocolObject Q1 journals QUANTUM PHYSICS RACHEL WHITEREAD RAFAEL LOZANO-HEMMER RAFAEL MONEO RATIONALISM RAYOGRAPHS READYMADE REBECCA HORN RESEARCHERS RICHARD MEIER RICHARD ROGERS ROBERT LEAVITT AWARD ROBERT MAPPLETHORPE ROBERT MOTHERWELL ROBERT RAUSCHENBERG ROBERT SMITHSON ROBERT VENTURI RONI HORN RUSTIC BUILDING MATERIALS RecursiveApplication RecursiveArchitecture RecursivePositioning RelationalAesthetics RelationalArtMesh RelationalDensity RelationalGrammars Reserve Resistance RetrievalLogic Rossellini RotatingChannels SALLY MANN SAMUEL BECKETT SCULPTURAL INSTALLATION SEMINA SEOCamelTags: SovereignStack SITE SPECIFIC SOCIOLOGY OF SCIENCE SOFT SCULPTURE SOFTWARE SOPHIE CALLE STAN BRAKHAGE STATISTICS STEFFEN LEHMANN STS SUSTAINABILITY SYNERGETICS SYNTAGMA ScalarInvariance SelfReferentialImpact SemanticGrid SemanticIndexingSystem SemanticLayerSystem SemanticMesh SemanticUrbanism SerialDiscipline SituationalFixer SocioPlastic Socioplastic Mesh SocioplasticBody SocioplasticMetabolism SocioplasticMetric Socioplastics Corpus Socioplastics is a transdisciplinary framework by Anto Lloveras (LAPIEZA) merging architecture and art to reclaim urban spaces through relational ART Socioplastics redefines practice as executable epistemic infrastructure where works materialise theory through situated SocioplasticsSystem Sovereign Cultural Infrastructure SovereignMateriality SovereignMesh SovereignPedagogy SovereignProtocol StratifiedRepublic StratigraphicField StructuralCoherence StructuralDetectability StructuralRecurrence StructuredAssertion StructuredMultilinguality SurfaceMetrics SurfaceToCitation SyntheticInfrastructure SystemicClosure SystemicDesign SystemicSovereignty Systems THE COMPLETE PHOTOGRAPHER THE NETHERLANDS THOM MAYNE TONY CRAGG TURNER TerritorialMetabolism The Mangle of Practice * Agency The Traffic in Women * Kinship TopographicRecursion TopolexicalProtocol TopolexicalVectors Topological Presence Transduction UGO RONDINONE URBAN RENEWAL POLICIES USERS Una lezione d'urbanistica (1954) UnifiedConceptualTerritory UnstablePedagogy UrbanMetabolism UrbanOperatingSystem UrbanSemiotics VCity VCityOS VIDEO INSTALLATION VISUAL VectorArchiveSystem VerificationLattice VersionedSeries VersionedWriting Views Vilanova Artigas ViscontiCinema WALLACE BERMAN WANG SHU WORLD WRITING WebOfScience WeblogEssays WeblogToDOI Xenofeminism YAYOI KUSAMA YOUTUBE BREAKFAST ZAHA HADID ZenodoDOI ZeroPointNode academic diffusion academic infrastructure and Emergent Science and the Modern Individual and the Political Economy of Sex and the Social Life of Knowledge architecturalSilence architecture as protocol architectureAndPower archive logic archive mapping archive structure archive systems aristocraticDecay art systems auteurFilm auteurVision baroqueCinema bibliometric topology capital circulation cartography choreographicSpace cinematicAbstraction cinematicArchitecture cinematicRuins cinematicSpace citation acceleration citation density classCritique conceptual datasets congestion corpus retrieval critical infrastructure critical theory critique culturalHeritage cycles discursive fields discursive mass distributed authorship distributed cognition doi:10.5281/zenodo.19010004 dreamNarrative dreamScenography editorial systems emotionalGeometries epistemic architecture epistemic metabolism existentialCinema experimentalCinema extrastatecraft feministCinema field stratification fifth city filmAndArchitecture filmAndHistory filmAndSpace filmAsArchitecture filmAsSpace global city gravitational model h-index strategy historicalArchitecture hyperplastic manifesto hyperplastic recursion indexed corpus indexing structure infrastructural grammar infrastructural gravitation infrastructure infrastructure studies innerArchitecture knowledge architecture knowledge cartography knowledge engineering knowledge graphs knowledge layers knowledge networks large language models living archive logistical literature medium design memoryArchitecture mesh metabolism metabolic infrastructure metabolic mesh metadata structures modernArchitecture modular packs monad narrativeArchitecture network society networks ontological engineering open science planetary urbanization poetics of relation post-digital resilience psychologicalSpace reciprocity relational intelligence research architecture semantic indexing semantic layers semantic search slug socioplastic withdrawal sovereign mesh sovereign metadata spatial production spatialAlienation spatialMemory spatialPerception stratigraphy structural theory surrealSpace surrealSpaces symbiotic mesh systemic and metabolic design protocols. systemic lock systemic resilience systems aesthetics temporalLoops textual sovereignty topology topology of knowledge urban studies urbanVoid vector databases visualOpera visualPedagogy ÁLVARO SIZA VIEIRA

POP

  • 10 things
  • He orders the papers by date and suddenly his life looks like a structure. https://doi.org/10.5281/zenodo.19161483
  • He writes a word on a piece of paper and keeps it for years. One day the word becomes useful. https://doi.org/10.5281/zenodo.19161128
  • Some words are used so many times that they become tools. https://doi.org/10.5281/zenodo.19161128
  • He writes instructions for people he will never meet. He trusts that someone, somewhere, will execute them. https://doi.org/10.5281/zenodo.19161373
  • Hyperplastic Topologies
  • A system is a house made of time. https://doi.org/10.5281/zenodo.19162080
  • In March 2026, a single-author project reached a precise threshold of 1,000 numbered nodes on the Blogger platform. Anto Lloveras, operating primarily through antolloveras.blogspot.com and mirrored sites (otracapa.blogspot.com, lapiezalapieza.blogspot.com), completed Tome I of Socioplastics. This corpus consists of individual “slugs” (compressed conceptual posts of approximately 1,000 words each), grouped into ten “Century Packs” of 100 slugs, forming a decadic hierarchy that the author explicitly describes as a navigable “mesh” or grid. The system claims stratigraphic emergence as an autonomous epistemic field, fixed through persistent identifiers (DOIs) and internal operators labeled Core II.
  • MONDAY
  • The 300 Blows as Symbiotic Mutation * A Hyperdense Commencement
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