Yuk Hui’s cosmotechnics offers the most immediate conceptual proximity. Hui’s framework rejects universalist technological paradigms in favour of situated cosmologies that preserve technodiversity against homogenising extraction. Like Socioplastics, cosmotechnics seeks epistemic plurality and resistance to imposed transparency, yet it operates primarily at the philosophical level whereas Socioplastics translates these concerns into a running, lowtech mesh that actively hardens language and reactivates archival strata. Both systems refuse Silicon Valley monoculture, but Socioplastics adds curatorial execution through LAPIEZA’s 180+ international projects, grounding theoretical pluralism in concrete relational infrastructures.