Showing posts with label CULTURE. Show all posts
Showing posts with label CULTURE. Show all posts

11.404 PHILIP KOTLER




PHILIP KOTLER AMERICAN ECONOMIST. RESEARCH IN MATHEMATICS AND IN BEHAVIORAL SCIENCE. PROFESSOR KOTLER'S BOOK, MARKETING MANAGEMENT, IS THE WORLD'S MOST WIDELY USED GRADUATE LEVEL TEXTBOOK IN MARKETING. HIS OTHER TEXTBOOKS INCLUDE PRINCIPLES OF MARKETING AND MARKETING: AN INTRODUCTION. KOTLER DEVELOPED NEW CONCEPTS IN MARKETING INCLUDING DEMARKETING, MEGAMARKETING, TURBOMARKETING AND SYNCHROMARKETING. HE BELIEVES THAT MARKETING THEORY NEEDS TO GO BEYOND PRICE THEORY AND INCORPORATE THE DYNAMICS OF INNOVATION, DISTRIBUTION AND PROMOTION SYSTEMS INTO ANALYZING, EXPLAINING AND PREDICTING ECONOMIC OUTCOMES. WIKI. VIEW HISTORY.

JESSICA STOCKHOLDER




JESSICA STOCKHOLDER AMERICAN SCULPTOR AND INSTALLATION ARTIST. CONCEPTUAL ARTIST. PIONEER OF INSTALLATION ART THAT MIXES EVERYDAY CONSUMER AND HOUSEHOLD OBJECTS WITH HIGH ART TRADITIONS. HER WORKS ARE OFTEN TITLED AFTER LITERARY OR THEATRICAL WORKS. COMMON HOUSEHOLD MATERIALS GATHERED TOGETHER, DISPLAYED IN CONJUNCTION WITH THE GALLERY ENVIRONMENT IN A SEEMINGLY HAPHAZARD MANNER, COLORS AND SHAPES RANDOMLY APPLIED. WIKI. VIEW HISTORY

PIER PAOLO PASOLINI

RICHARD SERRA



RICHARD SERRA. AMERICAN MINIMALIST SCULPTOR KNOWN FOR HIS CONSTRUCTIONS FROM LARGE ROLLS AND SHEETS OF METAL (COR-TEN-STEEL). MANY OF THESE PIECES ARE SELF-SUPPORTING AND EMPHASIZE THE WEIGHT AND NATURE OF THE MATERIALS. SITE-SPECIFIC INSTALLATIONS, IN 1981, SERRA INSTALLED TILTED ARC, A GENTLY CURVED, 3.5 METER HIGH ARC OF RUSTING MILD STEEL IN THE FEDERAL PLAZA IN NEW YORK CITY. TO SEE IS TO THINK, TO CHANGE MEANINGS THROUGH PERCEPTION. NOTIONS OF PROCESS TIME AND SPACE ARE BEEING EXPLORED WITH FORMS NEVER BUILT BEFORE. 2007 THE MUSEUM OF MODERN ART PRESENTED A RETROSPECTIVE OF SERRA'S WORK IN NEW YORK. INTERSECTION II (1992-1993) AND TORQUED ELLIPSE IV (1998) AMONG THE WORKS. WIKI. VIEW HISTORY.

LOUISE BOURGEOIS



LOUISE BOURGEOIS. ARTIST AND SCULPTOR. HER MOST FAMOUS WORKS ARE POSSIBLY THE SPIDER STRUCTURES, TITLED MAMAN, HER WORKS ARE SOMETIMES ABSTRACT AND SHE SPEAKS OF THEM IN SYMBOLIC TERMS WITH THE MAIN FOCUS BEING "RELATIONSHIPS" - CONSIDERING AN ENTITY IN RELATION TO ITS SURROUNDINGS. LOUISE BOURGEOIS FINDS INSPIRATION FOR HER WORKS FROM HER CHILDHOOD: HER ADULTEROUS FATHER AND HER MOTHER, WHO REFUSED TO ACKNOWLEDGE IT. HER PIECES CONSIST OF EROTIC AND SEXUAL IMAGES AND ALSO FORMS FOUND IN NATURE, SUCH AS HER SCULPTURE, CUMULS (REFERRING TO CLOUDS IN THE SKY) AND NATURE STUDY. WIKI. VIEW HISTORY.