YOUTUBE BREAKFAST

Luchino Visconti, il conte rosso

Posted by ANTO LLOVERAS
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LLLL ART AGENCY

  • ANTO LLOVERAS ______________SOCIOPLASTICS

CONCEPT

YouTube Breakfast is an open, rhizomatic classroom. Each video becomes a node in a decentralized network of knowledge, spanning art, architecture, philosophy, and science. Without themes or predefined structure, the course evolves through intuition and curiosity, using video as a tool to explore new ideas and perspectives. Learning unfolds non-linearly, disrupting traditional pedagogies by replacing scripted teaching with personal exploration. The goal is not to explain, but to connect—inviting each participant to build their own path through shared content.

FORM

Methodologically, the project does not focus on creating thematic playlists across multiple fields but on sharing the most intriguing aspects of art, architecture, philosophy, and science, which expand as new participants add their contributions. The course has no script or predefined structure: instead, it is built from the intuition of the sharer, who uses the voices and visions of others to narrate ideas, thus generating a transdisciplinary space that moves between the personal and the collective. The project is based on the idea of teaching as disruption.“Not teaching” as a means of teaching, where no imposed guide exists. Instead, there is a network of connections that allows knowledge to unfold rhizomatically, challenging traditional pedagogical structures. By trusting in the voice of the videos and the knowledge already available within them, "YouTube Breakfast" proposes that it is not necessary to transcribe or transform what is already there but rather to open paths for each participant to create their own journey of exploration and learning.

C O N T E N T

CULTURE ART ARCHITECTURE PRITZKER SCULPTURE PHOTOGRAPHY PERFORMANCE PAINTING INSTALLATION SCIENCE PHILOSOPHY GRAPUS REM KOOLHAAS SOCIOLOGY THOMAS HIRSCHHORN DECONSTRUCTION FEMINISM CINEMA CONCEPTUAL FILM GEORGE SEGAL LANDSCAPE 2012 ABSORBING MODERNITY ABSTRACT EXPRESSIONISM ABSTRACT PAINTING ANTHROPOLOGY ARCHITECTURE CRITIC Architecture Biennale BIOLOGY BODY PERFORMANCE Biennale Architettura 2014 CINDY SHERMAN COLAB ELECTRONIC GENDER HISTORY ItalianCinema JESSICA STOCKHOLDER LABOR LAPIEZA LITERATURE LOUISE BOURGEOIS MARCEL DUCHAMP MARINA ABRAMOVIC MATTHEW BARNEY NAN GOLDIN NORMAN FOSTER PHOTOJOURNALISM POETRY POLITICAL THEORY RICHARD SERRA RYUE NISHIZAWA SANTIAGO SIERRA TALUT KAREEM URBAN PLANNING VALIE EXPORT VANESSA BEECROFT VIDEO VIDEO ART spatialNarrative 10.310 10.348 10.368 10.370 10.386 11.389 11.396 11.402 11.405 11.407 11.408 11.409 12.414 14.114 14.114 TONY CRAGG 14.116 SCULPTURE 2014 2023 425 PARK AVENUE ABSTRACT AD REINHARDT AI WEIWEI ALEJANDRO ARAVENA ALLEN GINSBERG ANDREAS FEININGER ANDRÉ KERTÉSZ ANDRÉ MASSON ANDRÉS JAQUE ANDY WARHOL ANISH KAPOOR ANN HAMILTON ANSELM KIEFER ART CRITIC ART CULTURE ARTISTS ARTS ORGANISATIONS ASSEMBLAGE ATELIER D’ARCHITECTURE AUTOGÉRÉE ATMOSPHERES AUTOMATIC DRAWING AVANT GARDE AntonioniCinema Architecture Biennale 2012 BAS JAN ADER BEAT GENERATION BEATRIZ COLOMINA BENOIT MANDELBROT BERND AND HILLA BECHER BILL GATES BILL VIOLA BRAZIL BRENDAN MCGETRICK BRUCE NAUMAN BRUNO LATOUR BUCKMINSTER FULLER BUILIDINGS Biennale Architettura 2012 CANDIDA HÖFER CAPITALISM CAPITALISTIC REALISM CARDBOARD CARDBOARD FURNITURES CAROLEE SCHNEEMANN CHANTALL MOUFFE CHEAP MATERIALS CHINA CHRISTIAN DE PORTZAMPARC CIAM CLAUDE LEVI-STRAUSS COLLABORATIVE RESEARCH COLLAGE COLOR FIELD COLOUR COMBINES COMPUTER ANIMATION COMPUTING CONTENT CONTINGENCY COUNTRIES CRAGG FOUNDATION CURATOR CYBORGS Crimson Architectural Historians DANAH ZOHAR DANCE DARA BIRNBAUM DATABASES DAVID HARVEY DECONSTRUCTIVISM DENISE SCOTT BROWN DOINA PETRUSCA & CONSTANTIN PETCOU DONNA HARAWAY DRAMA DRAUGHTSMAN DRIP DUANE MICHALS DUCT TAPE EASY EDGES ECONOMICS ECONOMY ENVIROMENTAL INSTALLATION ENVIROMENTALLY SENSITIVE APPROACH TO DESIGN ERMANNO OLMI ETHNOLOGY EXPANDED CINEMA EXPERIMENTAL FILM EXPLOITATION FIGURATIVE FOIL FRACTAL GEOMETRY FRANK GEHRY FUMIHIKO MAKI FUNKTIONALISM FelliniCinema GEOGRAPHY GERHARD RICHTER GLENN MURCUTT Giancarlo De Carlo HANNAH ARENDT HANS ROSLING OLA ROSLING HELEN FRANKENTHALER HENRI CARTIER-BRESSON HIGH-TECH ARCHITECTURE Herman HERTZBERGER I.M. PEI IDA APPLEBROOG IMAGE INDUSTRIAL ALIENATION INDUSTRIAL ARCHITECTURE INFORMATION SOCIETY INSTITUTIONAL PARTNERS INTERVIEW ItalianModernism JACKSON POLLOCK JACQUES DERRIDA JACQUES HERZOG JACQUES LACAN JAMES WATSON JANE JACOBS JAQUE ROBERTSON JASON RHOADES JEAN LUC GODARD JEFF KOONS JENNY HOLZER JOEP VAN LIESHOUT JOHN SOANE JORGE LUIS BORGES JOSEPH BEUYS JUAN GOYTISOLO JUDITH BUTLER JUDY CHICAGO JUHANI PALLASMAA JÜRGEN HABERMAS KAZUJO SEJIMA KEVIN ROCHE KIKI SMITH LAND ART LE CORBUSIER LIFE MAGAZINE LINA BO BARDI LITTERATURE LIVE PERFORMANCE LOUISE NEVELSON LUC TUYMANS MAGNUM PHOTOS MAN RAY MANUEL CASTELLS MARKETING MARTIN HEIDEGGER MARY ELLEN MARK MATERIALIST CRITIQUE MATHEMATICS MEDIA MEMORY MERCE CUNNINGHAM METABOLISM MICHAEL HANSMEYER MINIMALISM MIXED-MEDIA MODERNISM MOLECULAR MORPHOSIS MUTABLE NATURE MayaDeren Michelle Provoost Monditalia: Sales Oddity NEO RAUSCH NEO-CLASSICAL NEON NEW SIMBOLISM NGOS NICOLAS BOURRIAUD NO PROJECT OMA OMA Office for Metropolitan Architecture ONTOLOGY OPERA PABLO PICASSO PAUL MCCARTHY PERFORMATIVE INSTALLATION PERRY ANDERSON PETER DOIG PETER EISENMAN PETER ZUMTHOR PHILIP JOHNSON PHILIP KOTLER PHOTO ESSAY PIER PAOLO PASOLINI PIERRE BOURDIEU PIPILOTTI RIST PLACE PLANNING PLASTIC WRAP POLITICAL PHILOSOPHY POLYESTER POP ART POSTMODERNISM PRINTS PSYCHOANALYSIS PSYCHOLOGY PUBLIC SPHERE PUBLICATION QUANTUM PHYSICS RACHEL WHITEREAD RAFAEL LOZANO-HEMMER RAFAEL MONEO RATIONALISM RAYOGRAPHS READYMADE REBECCA HORN RESEARCHERS RICHARD MEIER RICHARD ROGERS ROBERT LEAVITT AWARD ROBERT MAPPLETHORPE ROBERT MOTHERWELL ROBERT RAUSCHENBERG ROBERT SMITHSON ROBERT VENTURI RONI HORN RUSTIC BUILDING MATERIALS Rossellini SALLY MANN SAMUEL BECKETT SCULPTURAL INSTALLATION SEMINA SITE SPECIFIC SOCIOLOGY OF SCIENCE SOFT SCULPTURE SOFTWARE SOPHIE CALLE STAN BRAKHAGE STATISTICS STEFFEN LEHMANN SUSTAINABILITY SYNERGETICS SYNTAGMA Socioplastics is a transdisciplinary framework by Anto Lloveras (LAPIEZA) merging architecture and art to reclaim urban spaces through relational ART THE COMPLETE PHOTOGRAPHER THE NETHERLANDS THOM MAYNE TONY CRAGG TURNER UGO RONDINONE URBAN RENEWAL POLICIES USERS Una lezione d'urbanistica (1954) VIDEO INSTALLATION VISUAL Vilanova Artigas ViscontiCinema WALLACE BERMAN WANG SHU WORLD WRITING YAYOI KUSAMA YOUTUBE BREAKFAST ZAHA HADID architecturalSilence architectureAndPower aristocraticDecay auteurFilm auteurVision baroqueCinema choreographicSpace cinematicAbstraction cinematicArchitecture cinematicRuins cinematicSpace classCritique culturalHeritage dreamNarrative dreamScenography emotionalGeometries existentialCinema experimentalCinema feministCinema filmAndArchitecture filmAndHistory filmAndSpace filmAsArchitecture filmAsSpace historicalArchitecture innerArchitecture memoryArchitecture modernArchitecture narrativeArchitecture psychologicalSpace spatialAlienation spatialMemory spatialPerception surrealSpace surrealSpaces temporalLoops urbanVoid visualOpera visualPedagogy ÁLVARO SIZA VIEIRA
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