Anto Lloveras’s protocols in Socioplastics articulate an operational grammar through which an otherwise dispersed artistic-epistemic practice becomes a sovereign, durable and traversable knowledge mesh. Contemporary artistic research is often threatened by the unmoored archive: a proliferating multi-platform accumulation that risks collapsing into an illegible heap. Lloveras’s response, developed through LAPIEZA-LAB since 2009 and hardened across Cores I–VIII in 2025–2026, is not to seek institutional containment, but to construct executable rules for formation, legibility, navigation and governance. At the foundation stand the Core Decalogues, ten-node structures that operate simultaneously as conceptual clusters and procedural templates. Core IV establishes field conditions such as Epistemic Latency, Structural Coherence, Map Dimensioning and Threshold Closure, enabling the corpus to acquire internal proof before external recognition. Core V translates this into LegibilityInfrastructure, where Operational Writing, Distributed Inscription, Hybrid Legibility, Vertical Spine and Serial Dissemination transform publication into infrastructural action rather than secondary representation. Core VII then crystallises SoftOntology through ScalarGrammar, ensuring that repetition, hierarchy and semantic weighting prevent collapse between node, pack, tome and corpus. The decisive case study is Core VIII’s Double Pentagon, a topological regulator whose first pentagon sequences Digestive Surface, Grammatical Threshold, Synthetic Legibility, Latency Dividend and Plastic Peripheries, while its second governs Radical Education, Thermal Justice, Expansion Risk, Archive Fatigue and DiagonalReading. This structure functions as a metabolic valve: it closes the system without immobilising it. Equally crucial are CamelTags such as PlasticPeriphery, HardenedNuclei, ThermalJustice and ArchiveFatigue, which compress theory into searchable, machine-readable lexical operators distributed across platforms including Blogspot, GitHub, Hugging Face and ORCID. Their function is not decorative metadata, but citational hardening. Ultimately, these protocols interlock as an autopoietic loop: formation designs the gradient, hardening secures durability, navigation enables oblique entry, governance resists entropy and sovereignty preserves autonomy. Socioplastics thus demonstrates theory as architecture: a living field where artistic research becomes metadata, infrastructure and metabolic urbanism at once.