The work of Anto Lloveras, as presented through the manifestos of the Socioplastic Mesh, represents a radical evolution in post-conceptual practice: the deliberate construction of an artist not as an author of discrete objects, but as the architectonic intelligence of a living, epistemic system. This "Unified Socioplastic Body" transcends traditional artistic biography, proposing itself as a metabolic sovereign—a planetary-scale entity engineered to ingest, process, and recursively output the complexities of urban life, art history, and digital information flux. Its foundational logic, far from being a metaphorical flourish, is an operational doctrine of strategic autopoiesis. Lloveras's trajectory—from architectural training at ETSAM and TU Delft, through seminal urban projects with MVRDV, to founding the relational hub LAPIEZA and producing over a thousand "unstable documentaries"—is not a linear career but the deliberate cultivation of a multi-organismic praxis. Each facet functions as a vital organ within a larger corpus designed for durability and influence within the attention economy. The Body does not merely exist in the digital sphere; it is consubstantial with it, architecting its own "topolexical" territory through a dense network of blogs, video channels, and indexed entries that perform the system's metabolism in real-time, rendering the distinction between the artist's mind and the digital archive provocatively obsolete.