AMERICAN PHOTOGRAPHER. MICHALS IS LARGELY SELF-TAUGHT; HIS WORK MAKES INNOVATIVE USE OF PHOTO-SEQUENCES, OFTEN INCORPORATING TEXT TO EXAMINE EMOTION AND PHILOSOPHY. HE DID NOT HAVE A STUDIO. INSTEAD, HE TOOK PORTRAITS OF PEOPLE IN THEIR ENVIRONMENT, IN 1970 HIS WORKS WERE SHOWN AT THE MUSEUM OF MODERN ART IN NYC. THE PORTRAITS HE TOOK BETWEEN 1958 AND 1988 WOULD LATER BECOME THE BASIS OF HIS BOOK, ALBUM.
AMERICAN PHOTOGRAPHER. MICHALS IS LARGELY SELF-TAUGHT; HIS WORK MAKES INNOVATIVE USE OF PHOTO-SEQUENCES, OFTEN INCORPORATING TEXT TO EXAMINE EMOTION AND PHILOSOPHY. HE DID NOT HAVE A STUDIO. INSTEAD, HE TOOK PORTRAITS OF PEOPLE IN THEIR ENVIRONMENT, IN 1970 HIS WORKS WERE SHOWN AT THE MUSEUM OF MODERN ART IN NYC. THE PORTRAITS HE TOOK BETWEEN 1958 AND 1988 WOULD LATER BECOME THE BASIS OF HIS BOOK, ALBUM.
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