ARCHITECTURE HISTORIAN. SHE IS THE FOUNDING DIRECTOR OF THE PROGRAM IN MEDIA AND MODERNITY AT PRINCETON UNIVERSITY, SHE HAS WRITTEN EXTENSIVELY ON QUESTIONS OF ARCHITECTURE AND THE MODERN INSTITUTIONS OF REPRESENTATION, PARTICULARLY THE PRINTED MEDIA, PHOTOGRAPHY, ADVERTISING, FILM AND TV. HER BOOKS INCLUDE PRIVACY AND PUBLICITY: MODERN ARCHITECTURE AS MASS MEDIA (1994); SEXUALITY AND SPACE (EDITOR, 1992), AND ARCHITECTUREPRODUCTION (EDITOR, 1988). LECTURED INCLUDING THE MUSEUM OF MODERN ART IN NEW YORK; THE ARCHITECTURAL INSTITUTE OF JAPAN, TOKYO; THE CENTER FOR CONTEMPORARY ART AND ARCHITECTURE IN STOCKHOLM; AND THE DIA ART FOUNDATION IN NEW YORK. EDITORIAL BOARD OF ASSEMBLAGE, DAIDALOS, AND GREY ROOM.
ARCHITECTURE HISTORIAN. SHE IS THE FOUNDING DIRECTOR OF THE PROGRAM IN MEDIA AND MODERNITY AT PRINCETON UNIVERSITY, SHE HAS WRITTEN EXTENSIVELY ON QUESTIONS OF ARCHITECTURE AND THE MODERN INSTITUTIONS OF REPRESENTATION, PARTICULARLY THE PRINTED MEDIA, PHOTOGRAPHY, ADVERTISING, FILM AND TV. HER BOOKS INCLUDE PRIVACY AND PUBLICITY: MODERN ARCHITECTURE AS MASS MEDIA (1994); SEXUALITY AND SPACE (EDITOR, 1992), AND ARCHITECTUREPRODUCTION (EDITOR, 1988). LECTURED INCLUDING THE MUSEUM OF MODERN ART IN NEW YORK; THE ARCHITECTURAL INSTITUTE OF JAPAN, TOKYO; THE CENTER FOR CONTEMPORARY ART AND ARCHITECTURE IN STOCKHOLM; AND THE DIA ART FOUNDATION IN NEW YORK. EDITORIAL BOARD OF ASSEMBLAGE, DAIDALOS, AND GREY ROOM.
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