MARINA ABRAMOVIC. SERBIAN PERFORMANCE ARTIST. ACTIVE FOR OVER THREE DECADES. ABRAMOVIĆ'S WORK EXPLORES THE RELATIONSHIP BETWEEN PERFORMER AND AUDIENCE, THE LIMITS OF THE BODY, AND THE POSSIBILITIES OF THE MIND. ABRAMOVIĆ BEGAN TO CONSIDER THE STATE OF
SOCIAL SCIENCES, HIGH CULTURE AND ART | LLLL ART AGENCY CLASSROOM | 2007-2022
Saturday, February 27, 2010
10.321 MARINA ABRAMOVIC
MARINA ABRAMOVIC. SERBIAN PERFORMANCE ARTIST. ACTIVE FOR OVER THREE DECADES. ABRAMOVIĆ'S WORK EXPLORES THE RELATIONSHIP BETWEEN PERFORMER AND AUDIENCE, THE LIMITS OF THE BODY, AND THE POSSIBILITIES OF THE MIND. ABRAMOVIĆ BEGAN TO CONSIDER THE STATE OF
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NEW YORK-BASED SERBIAN AND YUGOSLAVIAN PERFORMANCE ARTIST. ACTIVE FOR OVER THREE DECADES. ABRAMOVIĆ'S WORK EXPLORES THE RELATIONSHIP BETWEEN PERFORMER AND AUDIENCE, THE LIMITS OF THE BODY, AND THE POSSIBILITIES OF THE MIND. SHE ATTENDED POST-GRADUATE STUDIES AT THE ACADEMY OF FINE ARTS IN ZAGREB, CROATIA. ABRAMOVIĆ BEGAN TO CONSIDER THE STATE OF CONSCIOUSNESS OF THE PERFORMER. “ONCE YOU ENTER INTO THE PERFORMANCE STATE YOU CAN PUSH YOUR BODY TO DO THINGS YOU ABSOLUTELY COULD NEVER NORMALLY DO.” STATE OF UNCONSCIOUSNESS COULD BE INCORPORATED INTO A PERFORMANCE, TO TEST THE LIMITS OF THE RELATIONSHIP BETWEEN PERFORMER AND AUDIENCE. SHE ASSIGNED A PASSIVE ROLE TO HERSELF, WITH THE PUBLIC BEING THE FORCE WHICH WOULD ACT ON HER. ABRAMOVIĆ/ULAY EXPLORED EXTREME STATES OF CONSCIOUSNESS AND THEIR RELATIONSHIP TO ARCHITECTURAL SPACE.
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