CINDI SHERMAN. AMERICAN PHOTOGRAPHER, BEST KNOWN FOR HER CONCEPTUAL PORTRAITS. SHE BEGAN PAINTING. "THERE WAS NOTHING MORE TO SAY [THROUGH PAINTING]," SHE LATER RECALLED. "I WAS METICULOUSLY COPYING OTHER ART AND THEN I REALIZED I COULD JUST USE A CAMERA AND PUT MY TIME INTO AN IDEA INSTEAD." SHERMAN WORKS IN SERIES, TYPICALLY PHOTOGRAPHING HERSELF IN A RANGE OF COSTUMES. FOR EXAMPLE, IN HER LANDMARK 69 PHOTOGRAPH SERIES, THE COMPLETE UNTITLED FILM STILLS, (1977–1980) SHERMAN APPEARED AS B-MOVIE, FOREIGN FILM AND FILM NOIR STYLE ACTRESSES. A SERIES, DATED 2003, FEATURES HER AS CLOWNS. SHERMAN HAS APPROPRIATED A NUMBER OF OTHER VISUAL FORMS— THE CENTERFOLD, FASHION PHOTOGRAPH, HISTORICAL PORTRAIT, AND SOFT-CORE SEX IMAGE. THESE AND OTHER SERIES, LIKE THE 1980S "FAIRY TALES AND DISASTERS" SEQUENCE. WIKI VIEW HISTORY.
Sunday, February 7, 2010
CINDY SHERMAN
CINDI SHERMAN. AMERICAN PHOTOGRAPHER, BEST KNOWN FOR HER CONCEPTUAL PORTRAITS. SHE BEGAN PAINTING. "THERE WAS NOTHING MORE TO SAY [THROUGH PAINTING]," SHE LATER RECALLED. "I WAS METICULOUSLY COPYING OTHER ART AND THEN I REALIZED I COULD JUST USE A CAMERA AND PUT MY TIME INTO AN IDEA INSTEAD." SHERMAN WORKS IN SERIES, TYPICALLY PHOTOGRAPHING HERSELF IN A RANGE OF COSTUMES. FOR EXAMPLE, IN HER LANDMARK 69 PHOTOGRAPH SERIES, THE COMPLETE UNTITLED FILM STILLS, (1977–1980) SHERMAN APPEARED AS B-MOVIE, FOREIGN FILM AND FILM NOIR STYLE ACTRESSES. A SERIES, DATED 2003, FEATURES HER AS CLOWNS. SHERMAN HAS APPROPRIATED A NUMBER OF OTHER VISUAL FORMS— THE CENTERFOLD, FASHION PHOTOGRAPH, HISTORICAL PORTRAIT, AND SOFT-CORE SEX IMAGE. THESE AND OTHER SERIES, LIKE THE 1980S "FAIRY TALES AND DISASTERS" SEQUENCE. WIKI VIEW HISTORY.
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